Top Ten Albums of '09.

So it's been a while since I've written (how many posts have I written this year starting off with this sentence?). Education has me constantly working and I think my lack of writing is a good sign. Right now, howeverm I'm practically the only person in Madison since most people will be coming back from Thanksgiving break tomorrow. Things will be busy for me again soon, so I figured I'd get a post in while I have time. So here's my Top 10 albums of 2009, a few honorable mentions, and some albums that were intentionally left off the list. Hit it.

1. Veckatimest - Grizzly Bear
This is probably going to be the number one on a lot of lists, and deep inside I don't want to make it #1 just for that reason, but it's too good to not (I can feel better because #2 probably won't be on many people's lists). "While You Wait for the Others" is probably the song of the year as well (the original version, not the one where Michael McDonald sings). It's hard to believe they could top Yellow House, but they certainly did. Daniel Rossen's voice is amazing, the harmonies are great, and even though Ed Droste's "Two Weeks" received considerable airplay, it never gets old. And come on, people, if Jay-z thinks they're cool...

"While You Wait for the Others" at YouTube


2. Intuit - Ramona Falls
Who? I'll tell you, calm down. Seriously, take a step back. I can smell your breath, and it's not charming. Ramona Falls is the side/solo project debut from Brent Knopf of Menomena. Yes, another Menomena band, but until they make a bad album you have no reason to complain. This is Knopf's first, and it's amazing. His angelic voice can get wicked at times. He can serenade you or rip your face off with words. He's always right, but willing to admit he's wrong sometimes (don't worry about the logistics of that sentence). There's not a single weak track on the album. It has not only held me over until the upcoming release of a new Menomena album (date still tentative...), it has furthered my confidence in each member's genius. PS the music video below is probably the coolest of the year in my book.

"I Say Fever" at YouTube.



3. Two Suns - Bat for Lashes
Natasha Khan knows she's good. She knew it before anyone else did. Pitchfork thought her first album was good, but nothing special. She likes glitter and sings about having split personalities. She's weird. It's amazing. Both everything that's good about a female vocalist and a bit of every good female vocalist is in Natasha Khan. You can hear Bjork, Tori Amos, Fiona Apple, and PJ Harvey in her music. She's by no means a ripoff, she's a unique bird/flower/butterfly/anything that's beautiful (and maybe a little bit scary and unstable).

"Daniel" at Yahoo!


4. Eskimo Snow - Why?
Despite having horrible pains from pneumonia at their show and having to go to the ER before they played, the amazing-ness-ocity of Why? is undeniable. Eskimo Snow is the calmest child in the Why's discography, but it's also the most introspective. Where Alopecia talks about jerking off in an art museum bathroom, E.S. asks its mother if its failing. If you love the mallet percussion, you'll love this album.


"These Hands/ January Twentysomething" at Pitchfork


5. Never Better - P.O.S.
The rap I had in my collection before P.O.S. was limited essentially to Why? and K-Os. Why? is a Jewish guy who sounds like a cross between that dude from the Decemberists and that dude from Interpol, and K-Os raps about going to church. P.O.S. is still far from "gangster", but it was my first delving into an artist that was primarily a rapper and a little bit angry. I admit, I got this album initially just because The Velvet Teen's Judah Nagler guests on its title track. I had seen P.O.S. on tour with TVT and Minus the Bear, so I knew his stuff incorporated live band. P.O.S. is the epitome of indie rap. The music to his songs is amazing, and his rhymes are enormously clever. If you've never seen his cover of Pearl Jam's "Why Go", I feel sorry for you, and this injustice must be corrected quickly by clicking on this link.

"Never Better" at YouTube


6. No One's First and You're Next EP - Modest Mouse

I thank God everyday that He gave Isaac Brock a lisp. The band has had mainstream success, yet Brock's maintained his lunacy. They'll still put out 8 minutes songs even though the radio stations will search their music for a hit to play. This is a B side album, but it plays like a coherent thought (which might be the first time anyone's used the word "coherent" to describe anything Modest Mouse has done).

"King Rat" at Yahoo!


7. Upper Air - Bowerbirds
Like Andrew Bird? Like Bon Iver? I have a friend that described Bowerbirds as the illegitimate child of those two artists. If that doesn't sound like a beautiful kid, I don't know what is.

"Northern Lights" from Pitchfork's Cemetery Gates


8. Wolfgang Amadeus Phoenix - Phoenix
I've claimed to know a lot of bands before they made it success in the mainstream. You'll never hear me say this about Phoenix. Well, I shouldn't say that. I bought the album about two weeks before it started getting played on the radio and in commercials. But I can't say I was far ahead of the curve on this one. They're so infectious. And while their earlier albums are better, 1901 is probably the best song they've produced, and this is definitely their most mature album.

"1901" at Yahoo!


9. Wildlife - Headlights
Depressing Headlights songs? Where are the four horsemen, cuz this has to be the Apocalypse. Maturity looks good on Headlights. I've heard comparisons of this album to Broken Social Scene's work, and there are definitely a lot more moving guitar parts. If you want them to be their usually poppy selves, then you might be a bit disappointed, but I now look at Headlights less as a "cute" band and more as a creative band.

"Love Song for Buddy" at YouTube


10. Aim and Ignite - Fun.
When the Format broke up I needed a hug. It was just such happy and creative music. Luckily, Fun. is essentially a continuation of the Format, led by ex-frontman Nate Ruess. I'm going to see them in February in Minneapolis and I couldn't be more excited. Ruess has an amazingly pure and flexible voice. Freddie Mercury would approve, as some of their stuff shows shades of Queen.

"All the Pretty Girls" at YouTube


HONORABLE MENTIONS

Now We Can See - The Thermals
This album didn't make it just because no album can ever measure up to The Body, The Blood, The Machine. That album was the right way to do political, societal, and religious commentary in a rock opera (I'm looking at you Green Day...). Now We Can See is a great album, it just doesn't have the venom and message that TBTBTM had.

"Now We Can See" at Youtube


Mean Everything to Nothing - Manchester Orchestra
I think it's definitely a progression after I'm Like a Virgin Losing a Child. It's not so one-dimensional. ILVLC was just so depressing. It was a good soundtrack to my sophomore year. But MEN had a great flow and explored a wide range of feeling. You could hear the influence the bands M.O. toured with had, as shades of My Morning Jacket, Colour Revolt and Brand New come out in many of their songs.

"Shake It Out" at Yahoo!


Ordinary Riches - Company of Thieves
Gen has wicked pipes. The guitarist showed his skills on Live from Daryl's House, but he could use them in their music a lot more. I could not get enough of "Oscar Wilde".

"Oscar Wilde" at YouTube


NOTABLE OMISSIONS
Time to Die - The Dodos
Just to show you I don't always agree with Pitchfork (although that should be obvious from previous posts), I thought the new Dodos album was horrendous. Meric Long's interesting riffs died somewhere between albums.

"Fables" at YouTube


Daisy - Brand New
Literally, just nothing special. They were going in a great direction with The Devil and God are Raging Inside of Me, but it just seems Jesse Lacey's gotten lazy and gotten mental help, which makes for much less interesting music. TDGRIM was just so genuine. Daisy just seems like an attempt to quiet the people who said TDGRIM was too depressing and not hard enough. I do wish I could see them with Glassjaw, though.

"Vices" at YouTube



There it is.

I Don't Swear, to Tell You the Truth.

Anybody that knows me even remotely well knows that I have never sworn or cursed or said certain words. Well, some people claim to have, but that's mostly because for some reason people have a hard time believing I haven't. But I haven't.

But people do have a case in pointing out that there are some contradictions in my method. I have a shirt that says "F*** 'Em Bucky". I say some words that people find offensive like "douche bag". Sometimes I do type "WTF". Some of my favorite music and movies have a filthy word every two or three seconds.

So maybe I should explain myself. I have to a lot, but when put on the spot I tend to not explain it the way I'd like. My reasons for not swearing have changed over the years. As a kid growing up, I was taught that swearing was wrong. When I started playing hockey, I was somewhat uncomfortable because I played with 8-year olds that had the mouths of sailors. I gradually became immune to it but knew it wouldn't be allowed in my house, so I worried about getting to much into the habit if i partook at practice, opening myself up to a slip at home. So I restrained myself.

It almost became a game over the years. It went hand in hand with drinking with me. While I wasn't morally-opposed to swearing, nor people swearing around me, it became something that I wanted to prove to myself that I could go through life without doing. I had come all this way without it, to give up now would be a sign of weakness.

When I hit 21 I drank for the first time. But I haven't sworn. You might ask, well why not? You are exercising a right by drinking at 21, why don't you exercise a Constitutional right in freedom of speech? Good question, hypothetical person. The truth is that in the home I was raised, the only time I heard swearing was in anger. I in no way grew up in a bad home, and I'm sure this is an experience many people have. My parents didn't swear in their jokes. They swore when they were really mad. That's when you knew a situation had escalated to serious proportions.

So part of the reason I've never sworn is because I don't want to say things I won't regret. Swearing is all fun and games when it's part of a joke or for shock value or whatever. But using them as names can serve as daggers in an argument. Some of the most hurtful things you can say are eliminated by not swearing.

Part of what spurred my analysis is the fact that I've been enamored with a certain song this week, and the chorus is so infectious that I want to sing the very harmless, not-even-curse-usage of a word. That song is "Oscar Wilde" by Company of Thieves. Company of Thieves is an up-and-coming band, although I'm going to find it very interesting to see where they go in the coming months. Their style is perplexing to me. I have no idea how to characterize them, except for as good. I mean, I could pick apart their influences, but I don't know who they fit with. Pitchfork probably won't be doing a review on them anytime soon (I'll let you know if I'm wrong) because it's not weird enough to be "indie" (which believe me, isn't an insult to indie, as most of my music falls under the category). However, I also don't see their music receiving much airplay. It's not "alternative" in the punk/emo sense, and it's definitely not poppy. Genevieve has a ridiculously beautiful voice, with shades of Bjork when Bjork's not screeching, Feist, Regina Spektor, and more. Basically, the "problem" (if it is one) lies in the fact that their music is not the same throughout the album. "Oscar Wilde" would give you the impression that the music's going to be very solemn, analytical throughout. But then you hear "In Passing", which is jazzy and soulful. It's all very confusing, but also very easy to enjoy.

While I was researching the band, I found out they had been on Live From Daryl's House. Any Hall and Oates fans? Daryl Hall and his band play songs with a guest artist each show. The dynamic between Gen and Daryl's voice is beautiful. She really displays her pipes in these songs. So, I'm going to post both "Oscar Wilde" and the "Past the Sleep" vid (one of CoT's songs) from Live From Daryl's House that I've been watching over and over for the last week.